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[review] The New HSDS 1986

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发表于 2006-11-3 08:03:40 | 显示全部楼层 |阅读模式

Your Review is highly welcome !

Index :

1. Reviewer : Mu99le @ spcnet   (p.1)

2. Reviewer : Yanfeng & Puckers @ spcnet   (p.1)

More pics and info about The New HSDS 1986 @  http://www.maggieshiu.net/bbs/viewthread.php?tid=1019   (chinese)

 楼主| 发表于 2006-11-3 08:05:52 | 显示全部楼层

http://www.spcnet.tv/reviews/review.php?rID=876

The New Heavenly Sword and Dragon Saber
*Reviewed by mu99le

The last novel of Jin Yong's Condor Heroes trilogy, The Heavenly Sword and the Dragon Sabre (HSDS) is also the most frequently adapted. There have been five television adaptations of the story, not to mention the movie version starring Jet Li. Like many people, my favourite is the 1986 HK-TVB version, although I think the latest China-Taiwan version does not fare too bad as well. Since the 2002 version is the only other version I saw after the 1986 version, it will be the only version I use for comparison in this review.

There is no need to go into details here--you can read the complete storyline on websites about Jin Yong's novels. The story basically tells the life of Zhang Wuji, an outstanding young hero who will later solve longtime misunderstandings between so-called Righteous and Evil (Ming) sects and unite them in a revolution against Mongolian conquest. His father Zhang Cuisan is the fifth and most talented hero of the famous seven Wudang heroes, while his mother Yin Susu is the daughter of White-brow Eagle, a former member of Ming Sect who established his own sect. When Wuji's parents are stranded in an island with another famed Ming sect member Golden maned-lion Xie Xun, they become sworn brothers, and Xie Xun takes Wuji as his godson. Their relationships are so close that Cuisan and Susu chose to commit suicide when pushed by the Righteous sects to reveal Xie Xun's hiding place. Wuji, who is now an orphan, has to undergo a lot of sufferings before he accidentally finds martial arts skills that not only rescue him from premature death, but also turn him into Ming-sect leader and the hero of the martial arts world.

With a superb cast and a complex, yet cohesive storyline, this adaptation manages to stay faithful to the novel's complexity and spirit without falling into the trap of becoming a superficial rendition of the book. Most of the book's plot and dialogue are retained, complemented and intensified by some interesting additional subplots that smoothly integrate to the main story. Some examples are Song Qing Shu's first encounter with Zhou Zhiruo, which is explored deeper than in the novel and thus intensifies his later jealousy of Zhang Wuji, and the confusion in Wudang when Wuji is reported missing, which shows their deep concerns about him. Yet this version is wise enough to keep viewers wondering about certain things until the end of the show, such as how Xie Xun falls into the hands of Shaolin and who has killed In Lee and stolen the Heaven Sword and Dragon Sabre. In the 2002 version these events are revealed as they happen, which rob the story of its suspense and surprises, and even prolonged with irrelevant additional scenes such as Zhao Min's imprisonment by her father and her painstaking attempts to escape.

I have to agree with another reviewer on this site who said that all characters in the 1986 version, even the minor ones, are wonderfully portrayed and developed. Almost all supporting characters effortlessly look and act their roles, particularly the actors who play Yang xiao, Cheng Kun and Song YuanQiao. The version also wonderfully portray the unique characteristic of each of the Seven Wudang heroes and the emotional brotherhood ties between them, more successfully than the 2002 version. Indeed, Jin Yong once stated that HSDS is mainly about relationships between the characters: the father-son relationship between Wuji and Xie Xun, the close ties between Zhang Sanfeng and his disciples and between the seven Wudang brothers. Bao Fang is pitch-perfect as the wise and great Zhang Sanfeng, while Kenneth Tsang perfectly blend Xie Xun's wildness and lunacy with his humane and sometimes witty sides. This can be seen among all when he teased Wuji of his girlfriends and played matchmaker for him and Zhou Zhiruo--some of the many scenes in which he fared much better than his characterless successor in the 2002 version. Simon Yam and Carol Cheng are perfectly casted as the honest, heroic Zhang Cuisan and mischievous Yin Susu respectively, while other sidekicks such as the Green Bat and other Ming sect heroes also manage to project their unique characteristics in an interesting and likeable way.

Having said that, it is really the main characters who carry the show. Tony Leung Chiu-wai did an unsurpassable job in making viewers believe that he IS Zhang Wuji from the beginning to the end of the series. Some have complained that his portrayal of Zhang Wuji is understated and confused, yet those who have read the book will know that such portrayal only serves to make the character's restraint and complexity more real. Zhang Wuji of the book is not a one-dimensional fellow: he is annoyingly indecisive and inconclusive, and Leung's unassuming, subtle performance effectively portrays these and makes as if the character has just jumped out of the pages. More incredibly Leung, who was 24 at the time of production, did a splendid, smooth transition from teenage to adult Zhang Wuji without losing the character's integrity at the slightest. The transition is unnoticeable yet significantly felt: Zhang wuji evolves from a childish and playful teenager who teases Zhu Changling from inside the secret cave to an increasingly mature and wise leader and hero. This is a feat yet to be achieved by other actors.

It is important to note that Alec Su in the 2002 version did a good job as Wuji. He managed to show Wuji's affection to his godfather, his romantic feeling to his four love interests and his maturity as the Ming sect leader. He also had some memorable scenes such as when he emotionally accused Zhao Min of killing In Lee and slapped her. However, I feel that he does not show Wuji's playful side significantly enough, which is probably the fault of the script. Furthermore, there is a certain quality in Tony Leung Chiu-wai which gives the impression that he was born for the role. Perhaps his boyish good looks and reticent charm, which fit the descriptions about Wuji in the book, play a part, yet it is likely that his ability to naturally and effortlessly blend all the character's contradictory elements has a more important role. Wuji's heroism, sincerity, and playfulness as well as his annoying indecisiveness and weakness are apparent in Leung's smallest and most insignificant gestures, such as his quiet smile when he successfully deceived people who wanted to eat him, his twinkling eyes and naughty grin when teasing Zhu Changling from inside the secret cave, his soundless cry when In Lee died in his arm and his sad little nod when Zhao Min asked whether his uncles still suspected him as murderer. When he confronted Zhao Min on In Lee's death, his anger was not obvious yet clearly felt in his cold, suppressed voice and his burning eyes. Leung's total immersion in the character and his ability to portray Wuji's lighter and graver sides equally well give him an edge over other actors who had played the role.

Kitty Lai as Zhao Min may not be as mature as Alyssa Chia in the 2002 version, yet like Leung she too gives an impression that the role is custom-made for her. Again her sweet youthful look may play a part, for Zhao Min is indeed described in the novel as an extraordinary young girl, yet what is more important is her mischievousness and playfulness that represent Zhao Min's smart and impish character, which Lai did more naturally than Alyssa Chia. Her first meeting with Zhang Wuji probably does not meet some people's expectations, for Zhao Min at this stage is supposed to be a cruel enemy, yet Lai makes up for it with her wide-eyed charm and outstanding chemistry with Leung.

Sheren Tang meanwhile did a splendid job as Zhou Zhiruo. Her transition from an innocent, kindhearted girl to a restrained and finally jealous, hateful young woman is not obvious and yet noticeable. Unlike the Zhou Zhiruo in the 2002, she did not rely on mechanical facial expression such as deliberate devilish smile to express her hidden intentions. Rather, she showed it subtly and beautifully through her quiet restraints, her sometimes cold expressions and her dark, icy glances. When she returned to Emei after her failed marriage, she only undergone a slight makeup change and yet her transformation from a grieving bride to a coldblooded woman as she ascended the leadership throne is terrifying in a quiet way. It is too bad that Sheren never makes it to the big screen until only recently, as she is such a credible actress.

Finally, Maggie Shiu brings just the appropriate cuteness and likeability into her role as the pretty little maid Xiao Zhao. This is helped significantly with her Persian look and unique beauty that give her an edge over the actresses in the other versions. Her loyalty and childlike affection to her master is apparent in some touching scenes and her parting scene with Wuji is both heartbreaking and memorable. The actress who played In Lee, meanwhile, did not fare as well, yet somehow still managed to draw viewers' sympathy through her unique characteristic and devotion to Zhang Wuji.

Despite these, it does not mean that this adaptation of HSDS does not have any weaknesses. The biggest disappointment is the omission and simplification of several parts, particularly the poor portrayal of the grand battle between Zhang Wuji and Righteous sect leaders on the Bright Peak and the omission of In Lee's resurrection in the end of the story. The latter is particularly disatisfying since it tends to give Zhou zhiruo a rather abrupt and easy atonement of her sins. It also gives an unfair end to In lee's character, which can be said as the most pitiful in the novel. Having said that, reading a book is different from cinematic experience, and in this case the ommission of In Lee's return is probably only appropriate for the ending. Furthermore, time and budget constraints may also be responsible for the poor depiction of several crucial scenes. Still, these omissions are unfortunate loss.

These shortcomings aside, the HK-TVB 1986 version is still the best adaptation of Jin Yong's last trilogy which does the best job in doing justice to the novel's depth and complexity. Although the book is, of course, far better, this version wins hands down over the others, and even the biggest shortcomings are not big enough to overshadow the brilliant cast and engaging storyline.

mu99le's Rating: (Scale of 5)

[此贴子已经被作者于2006-11-4 14:03:09编辑过]
 楼主| 发表于 2006-11-3 08:09:09 | 显示全部楼层

http://www.spcnet.tv/reviews/review.php?rID=767

The New Heavenly Sword and Dragon Saber
*Reviewed by Yanfeng and Puckers
  

The 1986 version of "Heavenly Sword and Dragon Saber" (YiTin) is likely my favourite sword-fighting serial of all time. I enjoyed the characterization of all the major and most of the minor characters (Cheung Sam Fung and his six disciples were particularly memorable both in of themselves and also for the sparkling chemistry/'brotherhood' between them). Simon Yam made for a very dashing Cheung Chiu San, he played the honorable but kind, righteous but not vindictive hero well. And his six Mo Dong brothers, who together were the "Seven Swordsmen of Mo Dong" were one of the highlights of the show for me. The seven were each given three-dimensional characters and they were played out wonderfully--especially the level-headed Mok Lin Chow (second disciple) and Yan Lei Teng (the soft-hearted sixth disciple who would later marry the daughter of the woman he mourned most of his adult life for). Carol Cheng plays Yan So So with finesse. Both she and Simon bring a fair amount of experience to their roles and their level of comfort showed well. Many shows cast inexperienced actors/actresses in minor roles that makes for an awkward introduction or (worse) an unbelievable background to the main plot. This version of Yitin does a remarkable job of assembling an experienced cast to do justice to the novel's many complex and sympathetic characters.

The best developed and best played character of the Mo Dong seven was undoubtedly the dignified and admiration-inspiring Song Yuen Kiu (eldest disciple). The actor took his character flawlessly from being the wise leader of the seven, mindful of chivalric codes (he, of all the leaders of the combined 'righteous' Sects hesitated to order his brothers to attack the then unknown Cheung Mo Kei who was injured and defending the Ming Sect on Kwong Meng Deng) to the broken-hearted father who knelt to his Sifu to apologize for bringing up a traitorous son. I think the scene when he kneels and apologizes to Cheung Sam Fung for his failing to bring up his son well is a great example of minor-character development that this version of Yitin does so well. The other minor character who deserves mention is the Mongolian leader who is Chiu Man's father. He has perhaps 4 or 5 dozen lines in all of the series, but manages to bring out his affection for his daughter, his trust and respect for her, and finally his stricken feelings when she leaves him and (effectively) her people for Mo Kei. Few minor characters manage to make your feel a twinge on their behalf like he does. His last scene, where he turns away from Chiu Man and walks away without turning back is very moving.

We are also introduced to the parent generation part, to Golden-Maned Lion- Tse Sun ... who later becomes sworn brothers with Cheung Chiu San and Mo Kei's beloved godfather. The veteran actor (Tsang Kong) does a wonderful job of Tse Sun - from his youth as Seng Kuan's disciple, to his fury and murderous madness when he discovers that Seng Kuan has raped his wife before killing her and his entire family. The streak of goodness in him that leads to his development of a strong friendship with Chiu San, and finally to his repenting his murdering ways in his many years on the Fire-Ice Island is brought out well in this complex character. All of which makes his turning to Buddhism in the finale one of the deep and feeling resolutions of the series.

Of the minor characters in the 2nd part of the story, the Ming Sect members are the most prominent. Special mention to Chow Din, the happy-go-lucky, cheerfully foul-mouthed sidekick who is always fondly playing coarse, blustering jokster to Yueng Siu's "Straight guy". Most memorable of the Ming Sect followers is Wai Yat Siu- the "Green Vampire Bat". His creative solutions to many situations were impressive of themselves, yet it is his witty lines and obvious loyalty to Mo Kei make him the most likable.

In spite of the strong minor character portrayal, it is truly the lead actors/actresses who carry this show.

Tony Leung's portrayal of Cheung Mo Kei I consider little less than genius. Indeed (as many have noted) he did downplay the part, but I thought that his restrained portrayal of Cheung Mo Kei was not only appropriate to the character's personality (Mo Kei is a simple fellow who only wants to do what is right and literally has his martial arts skills fall into his lap by accident) but -even more spectacular- his downplaying of Mo Kei makes his dramatic scenes more dramatic. Of particular note is his quiet defense of the Ming Sect at Kwong Meng Deng, and his acceptance of his beloved godfather leaving him for the solitude of the monastry at the end after he had fought long and hard to be reunited with Tse Sun. As a romantic hero, his chemistry with Kitty Lai is unparalleled--charming and playful balanced with moving and dramatic. Notable scenes include the short flashback where Mo Kei recalls he and Chiu Man playing "catch" on the island they were temporarily stranded on, and (even more) their understated affection in the temple after Chiu Man collapses from a wound by Chi Yuerk, or something as simple as an impish grin as he surprised Siu Chew from behind a straw hat. These linger on years after the plot details have faded.

This is a dignified, yet moving Mo Kei that Jet Li or Ma Jing Tao (in the only 2 other versions of Yitian I've seen) didn't quite equal. Jet Li's Mo Kei was ambitious and charming and he knew himself to be all that. Ma Jing Tao's Mo Kei was playful if given to melodrama. Tony Leung's Mo Kei was earnest, blithely unconscious of his charms and -most of all- wanted very little of the world but to be left alone. And Mo Kei's very name echoes this sentiment as his parent's and godfather's wish for him not have to be wary and guarded of people. A desire to be apart from the yun yuen (literally "debts and vengences") of the martial arts world is a steady theme in the series: His parent's union could only be on the isolated Ice-Fire Island, his godfather finding peace at last in 'leaving behind' the world. From his childhood to the resolution of the show, Mo Kei is sympathetic to the Buddhist idea that the struggles of the mundane world do not suit a truly peace-embracing soul.

Kitty Lai as Chiu Man is in her element: playful and wilful, yet powerful and sharp and street-smart, Kitty is by turns, the dashing Princess, the wilful woman, the light-hearted friend, the self-sacrificing romantic interest. And Tony played right up to her by being bewildered and beguiled, in turns, by her many facets. Some exquisite scenes here are given to the romantic development between them, with clever, if sincere, lines from Chiu Man in counterpoint to Mo Kei's endearing straightforwardness. Chiu Man is a complex characer who manages to be ruthless and kind, perceptive and yet wilfully unheeding at points--she is given some character development seperate from her relationaship with Mo Kei (which is not always true of romantic interests in swordfighting series!) Her relationship to her father and her conflict of loyalties between Mo Kei and her people/ her father are central to how she grows throughout the series. Sheren Tsang as Chow Chi Yuerk is a tame choice by comparison, since Chi Yuerk does extreme things one would not expect of the soft portrayal of her by Sheren. Still, she suited her role as the torn disciple of the hard and merciless Miet Juet and is entirely believable as the kind-hearted young disciple of the Ngoh Mei Sect that Wuji ditters over. Her transition to the hardened, spurned priestress is not as easy for Sheren, she seemed to struggle with the hard edge that her character was supposed to acquire.

Siu Chew (played by Maggie Shiu) is the person who Jin Yong liked best of Mo Kei's 'romantic interest possibles' because Jin Yong himself didn't care much for the hardened leadership personalities that Chiu Man and Chi Yuerk display (see the epilogue to his novel). I'll reserve my judgment on that particular comment, but in terms of how Siu Chew appears in the show, it certainly seems at some point that Siu Chew is the person that Mo Kei would have liked to like if circumstances had permitted. Siu Chew is the mysterious but steadfastly loyal 'maid' from the Ming Sect who attaches herself to Mo Kei as a personal servant, and who turns out to be much more than she appears. She is given a mild but likable portrayal in the series, has some character development when she discovers her long-lost mother and has a few lovely scenes when she decides that for the good of both Mo Kei and their companions and her mother, she must leave him for good. The understated farewell scene between her and Mo Kei was short but leaves a deep impression.

Overall, compared to the other of the Condor series, Jin Yong himself admits that Mo Kei might be the least admirable of the lead characters (again see the epilogue to Jin Yong's novel)... lacking the steadfast goodness of Kwok Cheng and the dashing intelligence and loyalty of Yeung Guo. Mo Kei is indecisive in romantic matters and deferred to Yeung Siu in many of the leadership matters as well. Yet I venture to say that of the 3 of them, Mo Kei moves me most for being most realistic and relatable to. A normal person in an extraodinary world--that of Jin Yong's swordfighting novels!"

Yanfeng and Puckers's Rating: (Scale of 5)

[此贴子已经被作者于2006-11-4 14:03:46编辑过]
发表于 2006-11-4 01:39:10 | 显示全部楼层

Siu Chew is the person that Mo Kei would have liked to like if circumstances had permitted

---I totally agree, but only applicable to Maggie's version~~~

发表于 2006-11-4 02:13:48 | 显示全部楼层
I don't even seen this series but I heard so many Maggie fans in Thailand talk about Maggie was so cute in this series . Ah, I need to see it
[此贴子已经被作者于2006-11-4 2:14:49编辑过]
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